There are rotary controls for Diffusion, Spread and Rev Damping, as well as Crossover Damping affects the tonality of the whole reverb tail. RC48 features six distinct early reflections or 'pre-echoes' which can be positioned by the user.Īlthough RC48's faders are similarly laid out, the first three are labelled Pre-delay, Shape and Size. The control settings don't translate exactly between the two and the Lexicon has more push-button tweak options, but a little fine-tuning should get you what you need. Comparing RC24 with Universal Audio's Lexicon 224 plug-in, which runs Lexicon's original code, shows the NI/Softube emulation to be very similar in character, though the Lexicon 224 actually offers eight algorithms rather than just the three. In use, RC24 has a lovely vintage sound with a nice 'steamy' decay, which has been described by some, when talking about the Lexicon original, as having a 'cats hissing' character! It's a very musical and versatile reverb that can be coaxed into delivering anything from small rooms up to large halls with many useful settings between the two extremes. It is great on strings and vocals, though. The four different modulation modes introduce progressively more noticeable chorus-like movement within the reverb tail, and this effect is most noticeable on instruments such as piano, where you might choose to avoid using it. Reverb time is set using the Bass and Mid decay controls, while turning on the quantisation noise introduces some extremely subtle enharmonic noise components that would almost certainly be completely buried in a typical mix. As Depth is increased, the reverb tail dominates the sound, with the impression of the direct sound's contribution becoming more diminished. The Depth parameter changes the apparent listening position within the room, higher settings equating to being at the rear of the room. Clicking on Options provides input and output gain controls, the option to view or disable the real-time analysis display, and the option to include or omit quantisation noise. RC24 has fader controls for Pre-delay, Depth, Intensity (of modulation), Bass, Mid and Hi-cut, plus rotary controls selecting one of four modulation types and the bass/mid crossover frequency. Both models have a Wet/Mix switch and a Mix control that is greyed out when Wet is selected. Both plug-ins have very similar interfaces featuring six sliders, although the function of these differs slightly. It also incorporates some useful modulation options to mimic the Spin and Wander parameters that Lexicon developed to reduce metallic resonances and add complexity to their reverb tails. RC48 provides just two hall algorithms, Hall and Random Hall, with control over all the usual parameters, plus Diffusion and Spread controls. RC24 offers Large Hall, Small Hall and Room emulation programs, and models the old-school 12-bit converter sound of the original. NI RC24.Like the original that it seeks to emulate, RC24 creates a rich, flattering sound with a hint of grit, while RC48 adds a little more density and realism. All the common plug-in platforms on Mac and Windows are supported: VST, AU, RTAS and AAX. As the names suggest, these are based on the classic Lexicon 224 and 480L algorithmic digital reverbs the originals were heard on countless records at the end of the last century, and are still popular (and expensive!) today. The Vari Comp compressor, Enhanced EQ and Passive EQ were reviewed in SOS January 2013, and have just been joined by the RC24 and RC48 reverb plug-ins. Native Instruments' latest plug-in suite aims to provide the classic Lexicon reverb sound at a budget-friendly price.Īlhough best-known for their synths and samplers, Native Instruments also have some impressive processors in their portfolio, and have recently joined forces with Softube to develop emulations of some classic studio hardware.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |